Senin, 15 Juni 2015

Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

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Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel



Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

PDF Ebook Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

This book explores the direct connections and collaborations of German and Russian artists and the affinities between both countries' artistic development. Russian Modernism maps the Russian version of expressionism and puts it in the context of the history of 20th century art. Russian Modernism is dedicated to the radical modernist movements in Russian and German art during the early years of the 20th century. Their development was parallel and often intertwined. Artists such as Vasily Kandinsky or Alexej von Jawlensky are claimed by the Germans but remain Russian artists for the Russians. The Burluk brothers, who became celebrities of the Russian radical art scene, participated in the first exhibition of the Blauer Reiter. Russian artists travelled to Germany and lived there, while their German counterparts were aware of what was shown in Moscow exhibition halls. The diverse art movement "expressionism" was formed in Germany at the beginning of the 1910s and was given the name by the critic Herwarth Walden. Members of groups such as Die Brücke and the Blauer Reiter were initially influenced by the French Fauves movement, and their Russian contemporaries also tried to find new artistic truth in Paris, 'la Ville Lumière'. However, both in Germany and Russia the new French influence underwent radical transformation. Beautifully illustrated and designed, this book provides an insight into the work of Russian and German artists in the early years of the 20th century.

Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

  • Amazon Sales Rank: #1085954 in Books
  • Published on: 2015-06-03
  • Released on: 2015-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 9.50" w x 11.40" l, 2.16 pounds
  • Binding: Hardcover
  • 208 pages
Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

About the Author Konstantin Akinsha is a contributing editor for ARTnews magazine, New York, as well as a Research Fellow at the Germanisches Nationalmuseum, Nuremberg, Germany. He has written a number of books, including The Holy Place (2007) (co-authored with Gregorii Kozlov) and The Funeral of the Revolution (2008).


Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

Where to Download Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

Most helpful customer reviews

7 of 7 people found the following review helpful. A Beautiful Introduction to Early Twentieth Century Russian Artists By Elliot Silvera The Neue Galerie in New York is known for its exhibitions and collection of early twentieth century German and Austrian art. This book is a catalogue of an interesting exhibit dealing with early Russian modernism and its relationship of German art of the period from 1907 to 1917. It highlights the works by both Russian and German artists. With the exception of Wasilly Kandinsky, all the other Russian names will be unfamiliar to most readers. The only similarity the two countries have is the French influence. While the German Expressionists looked to Henri Matisse and the Fauves, the majority of the Russian avant garde were mainly inspired by Paul Cezanne and their country's folk art.. The book has several interesting essays on several topics about Russian modernism from the Jack of Diamonds group of artists to Russians working in Munich to the work of the well known couple Natalia Goncharova and Mikhail Larionov. The book also discusses the unique Russian movements of Cubo-Futurism and Rayonism as well as the beginnings of non objective art with the works of Kandinsky and Kazimir Malevich. I really enjoyed the chapter on the Jack of Diamonds because it introduced me to a number of new artists including Petr Konchalovsky, Ilya Mashkov, Aristarkh Lentulov, Natan Altman, Aleksandr Kuprin, Boris Grigorev, and Robert Falk. After the essays are some ninety plates of paintings and works of paper which are arranged by subject matter(portraits, nudes, landscapes, urban scenes, still lifes, and abstract pieces). Throughout are Mashkov's still lifes, Kandinsky's Murnau landscapes, works in all genres by Goncharova, Larionov, and Konchalovsky, and German Expressionist pieces by Gabriele Munter, Erich Heckel, August Macke, and Ernst Ludwig Kirchner. One of the most intriguing paintings is Kandinsky's rare figurative portrait of his wife, Nina executed in 1917 when he dealt with abstract subjects. The catalogue ends with brief biographies of all the artists featured in the show (noticeably absent is Emil Nolde and Marc Chagall). Although I found the text well written, I wished for brief captions of the reproductions. As not a fan of complete non-objective art, the abstraction plate section was not my cup of tea. If you want to learn more about these rarely highlighted Russian artists, I strongly recommend this catalogue.

3 of 3 people found the following review helpful. Gorgeous Book With Much Interesting and Unfamiliar Work By Anne Mills Enthusiasts of early 20th century art are likely to be fascinated by this book, which shows, and discusses, a lot of work that is not widely exhibited or reproduced, at least not in the US. The book is the catalog of an exhibit of the same title held at the Neue Galerie in New York. The reproductions are accompanied by a series of illuminating essays. The primary focus is -- as the title suggests -- on Russian art, with the German works shown serving as counterpoint. The exception here is Kandinsky, who, as one of the essays points out, is counted as Russian in Russia, but whose work is widely shown in exhibits of German modernism - there's lots of Kandinsky in this book. After seeing the exhibit and reading the book, it seems to me that the Russian/German connection was less powerful than the influence of French art on both German and Russian work. The book also brings out the powerful influence of Russian folk art on the painters of the teens. In any event, there are some stunning pictures in here that were completely new to me -- check out Grigoriev's "Portrait of M. Ya. Yasnaya", Khodasevich's "Persian Boy", and Lentulov's "Victorious Battle".''s

0 of 2 people found the following review helpful. Five Stars By Paul F Miller ok

See all 3 customer reviews... Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel


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Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel
Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917From Prestel

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