Tyler's Last, by David Winner
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Tyler's Last, by David Winner
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An aging criminal reminiscent of Patricia Highsmith's The Talented Mr. Ripley receives threatening phone calls from a man who claims to be Cal Thornton, the young heir he thought he'd killed decades before on the island of Stromboli. Meanwhile, a dying thriller writer based on the famous lesbian author, fights off an old girlfriend's smothering advances while stalking a young female performance artist, who was also once her lover, in a haze of violent obsession. TYLER'S LAST is an homage to Highsmith, the last years of her life, her work's obsessions and the twisting mythology that has tied them together. It is also the name of the novel she's racing to finish, a final goodbye to her down-and-out protagonist, and the Doppelgangers that stalk him. Both stories come together in Normandy and in Senegal in search of redemption for characters who have good reason to expect nothing close.
Tyler's Last, by David Winner- Amazon Sales Rank: #1817717 in Books
- Brand: Outpost19
- Published on: 2015-10-01
- Released on: 2015-10-01
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .62" w x 5.00" l, .67 pounds
- Binding: Paperback
- 276 pages
Review
"An elderly crime novelist’s last work and a shady crook’s errand overlap in Winner’s fictional nod to Patricia Highsmith... Winner’s writing is intense, provocative, slightly perverse, and satisfyingly comic. The competing plots and the novel-within-a-novel format are propelled by an earthy and sexual literary voice whose wily sophistication is both coarse and unique... A brash literary thriller that plunges deep into the mind of a criminal and his creator." - Kirkus Reviews
"It's hard to describe David Winner’s fascinating and original book. On one level it's satirical, but as with any kind of comedy, its performance depends on our understanding the riff being done on very serious matters. Also, as the author knows, the serious and the satirical are by now often synonymous in people’s minds, our society has become so absurd. I kept thinking of Hitchcock, and the way he made his audience voyeurs. David Winner’s method is similar, though there’s more than a whiff of Tarantino in the Hitchcock homage, as well. It's riveting and funny, a sort of dazzling movie script that is a novel that involves another book within it. . . It comes at you cinematically, but with the advantage of a novel that alludes to literary models, as well. Its language is hipster shorthand for readers to absorb as they become spectators to the extravaganza, as the book, itself, expands into its political implications. Tyler is certainly the last person I would ever want to sit next to on an airplane." - Ann Beattie
"David Winner's new novel is a double pleasure -- for one, there is an engrossing thriller with an alternately hapless and capable scoundrel, flight and fight, twists and turns. . . The second pleasure is that that thriller is in the process of being written by an aging woman author who is transforming her own pursuits and betrayals in her fiction. This meta-move is clever, but it turns out to be much more than clever. She is, for all her high-handed treatment of her entourage, a memorably sympathetic and moving character. The two fictions reinforce each other resonantly. Bravo!" - John Casey
"Fans of Patricia Highsmith will be enthralled by David Winner’s perverse homage to the author and her milieu. This novel casts a narcotic spell, leaving one savaged as well as tremendously impressed." - Elizabeth McKenzie
"Tyler’s Last is both parody and homage, aimed not only at the Ripley novels of Patricia Highsmith but at their lost mid-century glamour. A comic and dazzling movie-in-words, Winner’s book shuttles us around the globe--Italy, France, The Netherlands, Senegal--in a gratifying game of illusion and counter-illusion, color and intrigue, all rendered with Nabokovian venom and glee." - Zachary Lazar
"With the magical plot of Tyler’s Last, Winner proves himself a son of Nabokov. An aging, maniacal author’s struggles to finish her final “Tyler” book are divinely echoed and, ultimately, wildly entwined with the actions of her even madder creation. Just finished this tour de force, and I’m ready to read it again!" - Elizabeth Evans
"a complex and intriguing story about Eve, an elderly author whose brief romance with a fan has turned into an obsession of lust and cravings. Their connection created such an impression that it left such a wound upon Eve’s heart and mind she has never recovered from." - Portland Book Review
"'Tyler's Last' is like a great tribute band. At times, it captures what made the first band special, even surpassing it. At others, it illustrates flaws in the original music and lyrics. Over all, the riff is fitting." - Madeleine Johnson at The American
About the Author David Winner’s first novel, The Cannibal of Guadalajara, won the 2009 Gival Press Novel Award and was nominated for the National Book Award. A film based on a story of Winner's played at Cannes in 2007. His writing has won a Ledge Magazine fiction contest and been nominated for two Pushcarts and an AWP Intro Contest. His work has appeared in The Village Voice, Fiction, The Iowa Review (upcoming), Chicago Quarterly Review (upcoming), Confrontation, Joyland, Dream Catcher, and several other publications in the U.S. and the U.K. as well as being included in Novel Strategies, a Pearson/Prentice Hall anthology for college students. He is the fiction editor of The American (www.theamericanmag.com), a monthly magazine based in Rome.
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Most helpful customer reviews
2 of 2 people found the following review helpful. A brilliant, beautifully crafted book By Ruth Wyatt This book is a real gem that works on so many different levels. it is completely engrossing and entertaining. it is very funny (in an often brutal way). It is cleverly reverential to Patricia Highsmith while being totally unique. It is beautifully written and most importantly, a great read! I cannot recommend this book enough!
2 of 2 people found the following review helpful. Read it in one afternoon By Constantin Reader Crisp, trenchant novel with pitch-perfect tone and pace. The book-within-the-book motif brilliantly ties together the deranged author/antagonist and her equally misanthropic creation in a dervish dance of parthenogenesis and depravity. Roguish dialogue and some hilarity. Verily, you will LOL.
0 of 0 people found the following review helpful. ambitious and brilliant pastiche of Patricia Highsmith’s crime writing By Anthony Fawcett Tyler’s Last is a bold, ambitious and brilliant pastiche of Patricia Highsmith’s crime writing. I was also reminded of Hitchcock; the writing has a cinematic quality that rarely flags and a capacity for implicating the voyeur in us all of which he was a master. But it also does so much more, demonstrating that a novel can penetrate and distort the imagination in ways that a movie cannot. The characters disintegrate into each other, both literally as an aging writer stricken with Parkinson’s gropes through her inner landscape in fear of death and a deadline and also within the story itself, which we realize as it unfolds is a story within a story.Seedy, glamorous and full of élan the book whirls us from Stromboli to Senegal and many points in-between. It is a tribute to the author that he even manages to work in the fall of the twin towers on 9/11 but in the most subtle of ways, creating an echo between the book’s stylized mid-century atmosphere and the contemporary circumstances in which his protagonists find themselves. It also highlights one of the book’s great qualities – it’s an exuberant ride but beneath its surface it suggests profound questions about the nature of evil and our struggles to fulfill our needs.I’ll leave the last word to Highsmith herself since I suspect that we would not have this skilfully executed work without her presence. In Strangers on a Train, she created a claustrophobic, unsettling story in which two men – Bruno and Guy - exchange murders, each one killing an estranged intimate of the other. Unlike the Hitchcock movie, the psychopathic Bruno mesmerizes Guy to such a degree that he ultimately commits the murder and, in its wake, asks himself whether Bruno was not in some way his “cast-off self, what he thought he hated but perhaps in reality loved”. I found myself pondering that conundrum again after I had finished this excellent book.
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